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Chinese holding foreign oil heat

Oil investment in 2003 from the outbreak of the Chinese painting and calligraphy market, in the autumn and winter of 2005 began to cool. A whole in 2006, modern and contemporary Chinese painting and calligraphy are not signs of warming. And at this time, but oil Shirupozhu soared up the momentum and the pace of its rise beyond the year of traditional Chinese painting market. To the trade, traditional Chinese painting at the height of the limelight in 2003 and 2004, very few  oil painting.

     From 2006 onwards, the situation has taken a dramatic downturn. November 26, 2006, in Hong Kong, Christie's auction, Zhang Xiaogang's "Tiananmen Square" by the Hong Kong dollar traded 18,040,000, a record closing price of his works in the world auction record. With an auction, Xu Beihong's painting "Slave and Lion" by the Hong Kong dollar traded 53,880,000, Chinese oil painting set a new world auction record. December 17, 2006, Wu Guanzhong oil painting scroll, "Yangtze map" in the autumn of 2006, Beijing Han Hai auction make 37,950,000 yuan, China's contemporary works of the highest oil prices.


     Relatively traditional Chinese painting, oil painting of the law does come up fury. Analysis of the industry, the international oil market and its limited number of the most important for two reasons.

     It is reported that in addition to European and American collectors of contemporary Chinese oil paintings of interest, Asia, Japan, South Korea, Singapore, Indonesia and other countries and regions have collectors to enter the Chinese market, the acquisition of large-scale contemporary works of art. Possession of a home that for these most popular oil painting home to Singapore, Indonesia and other places have had the exhibition, some of these countries the family collection of a large number of similar works of artists such as the soaring value of many collectors can be said that the rich overnight . At the same time, they are more willing to house the collection of Chinese painting works.

 

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