From the traditional fine arts to the development of modern art in the West have experienced from the classical, modern reproduction of the shift, the performance of the process, and the contrast is the Chinese art from the classical, to modern performance, reproduction . As a result, the whole of Western art history, we can first of all it split into two, that is, divided into traditional and modern, is a watershed in its post-impressionism. In other words, to ancient Greece are traditional Impressionist art, its fundamental characteristics is the classic, the reproduction of art, is built by the ancient Greek spirit of art based on the objective reality of art reproduction, but at different times, Different geographical as well as different race, the development of different forms, which set off the development of three high tide: the period of ancient Greece and Rome, Italy during the Renaissance, the nineteenth century France. The second phase from post-impressionism start to contemporary Western art, at this stage is characterized by modern, performance. At this stage, they no longer abide by the principles of classical art, is no longer to reproduce for the purpose of an objective, to a large extent by the modern aesthetics, psychology, as well as the impact of Oriental Art, breaking the traditional mold of an objective nature of the concept of writing, to The spirit of the subjective performance in the creation of more into the subjective feelings, to establish a new concept of art, created an open, pluralistic situation, and this is a modern Western art. As a result, our understanding and interpretation of Western art, traditional art and modern art should have a different aesthetic principles and methods, can not be based on objective natural reproduction to measure the level of modern art.

Chinese oil painting network-Chinese largest dafen oil painting Culture Village